Sometimes the chalk was tough enough to incise, or scratch the paper. The paper used as supports for such a drawing had to be tough and crisp and have a lot of tooth, in order to scrape the pigment from the chalk.
The mountain chalks were grainy, tough, and a single stick could vary in color and texture. They were harder than the more modern Conte crayons now used to replace the natural chalk. Early medieval and renaissance artists would go up into the mountains in Northern Italy and literally cut blocks of iron-tinted chalk deposits out of some outcropping or vein of the mineral and later cut it into smaller sticks.
You've heard of the White Cliffs of Dover? Well, those are natural deposits of chalk from the sea, a by product of crustaceous life-forms, and are mostly calcium carbonate. Language and literature, as well as music composition content for Sibelius Software.Įarly artists used natural chalks. Language and literature, as well as music composition content for Sibelius Software.
from the University of Vermont, and she has written books, study guides, and teacher materials on Music, Mary Elizabeth is a teacher, composer, and author. In addition to contributing articles to HomeQuestionsAnswered about art, literature, and Mary Elizabeth is passionate about reading, writing, and research, and has a penchant forĬorrecting misinformation on the Internet.
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